Siby John · sibyjohn0@gmail.com · +91 99600 25559 · LinkedIn ↗
Indie Music India

Built for the Indian
independent artist
who means it.

A free, open set of tools and research for artists navigating India's independent music economy — without a label, without an advance, without a team that already knows the answers.

Open the Playbook → Explore the Radar →
204M
music streamers in India
₹608Cr
IPRS royalties paid in FY25
90%
eligible artists not registered with IPRS
3–5
years: median time to ₹50K/month
924+
submission contacts in the database
₹0
cost to use any of this
Three tools. One system.

Each tool is useful on its own. Together they cover the full arc — understanding the scene, knowing who to reach, and having a strategy for the road ahead.

📖
The Playbook
29 sections covering identity, production, distribution, revenue, live performance, brand deals, sync licensing, and rights registration. India-specific. 154 action items.
Open Playbook →
India Indie Music Radar
A live tracker of Indian indie artists — by language, genre, listener data, discovery score, and collaboration fit. Updated daily. No editorial bias.
Open Radar →
📋
Reviewer Database
924 editorial blogs, podcasts, Spotify curators, and SubmitHub channels — with direct submission contacts, credit pricing, and reach data. Updated weekly.
Open Database →
The problem with music advice in India
Siby John

I spent several years working in creator and music marketing at YouTube in India — running campaigns with artists like Anuv Jain, Jasleen Royal, Jassie Gill, and Paal Dabba, working with major labels on activations, and watching how the platform actually surfaces independent music versus how people assume it works. Before that, a decade in brand strategy and marketing across agencies and companies including MPL, Dentsu Webchutney, and The Glitch, running campaigns for some of India's biggest consumer brands.

From that vantage point, the gap was obvious. The artists I met who were genuinely talented — and there were many — were navigating a system with almost no reliable information about how it worked. How much streaming actually pays. Which curators matter and which are pay-to-play. What IPRS registration actually does to your income. What a label contract's reversion clause means in practice. Most of what existed online was written for the Western market, or written to sell something.

So I built this. The Radar pulls real data on what's growing in the Indian indie scene and who's making it. The Reviewer Database gives every artist direct access to the same contacts that previously required knowing someone. The Playbook is the guide I wish had existed — India-specific, income-focused, and honest about the timeline.

Everything here is free. The only thing I ask is that you use it.

Built around your specific path, not a generic template.

Most music advice online assumes one artist type, one genre, one market. This doesn't. The tools here adapt to where you are and what you make.

Artist type
Singer-Songwriter Instrumentalist Producer / Beatmaker
The Playbook filters checklists and income paths by type. A producer's route to income looks nothing like a singer-songwriter's.
Language and genre
Tamil Telugu Hindi Malayalam Kannada Bengali Punjabi English Folk Electronic Hip Hop Indie Pop
The Radar and Reviewer Database filter by language and genre so you're looking at the right scene, not the whole country at once.
Where you are in the journey
Just starting out First release Building a live set Getting press First income Rights and registration
The Playbook opens at the section most relevant to your current problem, not chapter one.

Say hello

Siby John

I built this because the information should exist and be free. If you found it useful, spotted something wrong, have data to add, or just want to talk about the Indian indie scene — reach out.

Send an email →